Jonathan Swift: His Life and His World

Shakespeare's Wife

How to Read and Why

The Men in My Life

Will in the World

Marxism and Literature

The Philosophy of Composition

The Discarded Image

The Great War and Modern Memory

The Republic of Imagination

From Bauhaus to Our House

Dostoevsky: A Writer in His Time

All That Is Solid Melts Into Air

The Possessed

Chaucer: His Life, His Works, His World

Mimesis

Joseph Conrad: A Critical Biography

Tennessee Williams: Mad Pilgrimage of the Flesh

Postmodernism, or, the Cultural Logic of Late Capitalism

Henry James: A Life

The Art of Fiction

Powers of Horror

Emily Dickinson

In the American Grain

The Anxiety of Influence

The Defence of Poesy

Six Memos for the Next Millennium

Modern Fiction

The Madwoman in the Attic

Biographia Literaria

Culture and Imperialism

An Essay of Dramatic Poesy

A Swim in a Pond in the Rain

Aspects of the Novel

How to Read Poetry Like a Professor

Epistemology of the Closet

An Essay on Criticism

Tradition and the Individual Talent

How To Read Literature Like A Professor

Ion

Reading Like a Writer

The Uses of Enchantment

On Photography

Imaginary Homelands: Essays and Criticism 1981-1991

A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful

How Should One Read a Book?

Playing in the Dark: Whiteness and the Literary Imagination

The Death of the Author

The Signifying Monkey

Poetics

The Decay of Lying

John Donne: The Reformed Soul

On Fairy-Stories

The Birth of Tragedy

Rabelais and His World

Mr. Bennett and Mrs. Brown